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עמוד:166
166 . “It’s a really contemplating experience to see your film It really slows you down, and it’s really about embodiment and emotions intuition that you bring the viewer into your family . - It’s really great ! I mean it’s beautiful… At the end of the film I am part of your family . Reading the subtitles they are very tense . And suddenly in the state of meditation and silence I am dropped into these very powerful insights - they take me in, and suddenly I am out and you bring me in again… It’s like when you meditate – your mind goes up and then you kind of bring it back…” Julio Bermudez ( Prof . of Architecture, Catholic University, USA ) * * * * * “You moved us to tears today . Thank you Nili for allowing us to be part of your journey . . . Your wonderful film flooding us with moments of delightful nostalgia . The originality of the cinematography of all the magical corners remembered of the kitchen at your wonderful Grandmother’s hotel . . . The garden with the pine trees was a special piece of God… The memory is strong, and forever remains . . . ” Rachel Goldman ( in her childhood a permanent guest at the hotel ) * * * * * “Nili breathes life into a world that has disappeared… A film that could last another hour or two . . . There is something addictive in walking through the alleys . . . You made me want to peel an apple and not just bite it…” Ido Grumer ( Architect )
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פורטוגלי, נילי
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