become even more curious next to the deformed bodies in Bacon painting and in Belmer ' s photographic work , and even more next to a stone female figure from the South-Arabian Bronze Age , 3 rd millennium B . C . E . and next to a contemporary ( 2004 ) by Berlinde de Bruyckere from Belgium , who presents nude female made of wax , epoxy and metal , coiled into herself screaming in silence . The works carry on a lively dialogue among themselves and the visitors , forcing us to rethink art , archeology , and the impact of time . The inscriptions are minimal , containing only the artist name , the title of the work and the date . The connections between the works and the exhibits , the links between time periods objects - all these are left to the visitors' imagination and artistic knowledge . And true enough , visitors seem to spend much going from one work to another and back again , trying compare , find allusions , reach conclusions , standing in awe a-vis the philosophical and aesthet...
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