תקצירים

* 52 Naomi Cohn Zentner if one does come to exist, would consist of an assortment of carefully curated Ashkenazi, Sephardi, Yemenite and Hassidic melodies and modes of performance, defined, in this case too, as a re - enactment of an ancestral homeland : Zion . * 51 Blended Prayers in Israel from a Historic Perspective I ask myself how to make an instrument to create things that feel traditional, but you can’t tell whether they’re Ashkenazi or Sephardi, rather you’d say they're Israeli, local . Ehud Banai and Shai Zabari are successful examples of this in the world of pop and we must see how it can correspond with the prayer tradition . How to create a language like this . And maybe in the end, I mean, the Ashkenazi tradition was born at some point too, right ? And maybe, here, in the future, there will be a local tradition like this one… 64 Yair Harel makes a compelling argument by imagining the starting point of what we call nussach as a historic moment when what was a varied collect...  אל הספר