154 is not a subjective phenomenon due only to my intimate relationship to the place, but rather a universal and objective one . If it was only for my world view on architecture, I would not make a film . That I already implemented in the buildings I designed or in the books that I have published . And if it was only for documenting my childhood memories I would not make a film . The basic idea was to connect the two : The insights that were generated from my experiences as a child in Tsefat : in the lanes, in the streets and by watching the way my grandmother was preparing the food for her guests at her Hotel or whitewashing the alley in light blue - the way that art and architecture should be practiced . So why film ? The medium of cinema I felt was the best tool to convey my emotional childhood experiences – both by the visuals and the sounds . The outcome of which the audience can almost smell the green apples that my grandmother was pealing, or feel the wall that the girl was trac...
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