Rachel Sukman The ability of a country such as Korea to hold three biennials in three cities Seoul—simultaneously , Busan , and and—Gwangju to implement productions-mega of artistic projects which require colossal budgets , is commendable On my recent trip to East Asia , to Korea and Taiwan , I was unable to leave my memories of the 2004 Taipei Biennial behind . They traveled with me , variegated , exotic , and graceful , re ֳ ecting , most of all , the age of innocence . Remarkably colored animals , especially in the installation of the dogs in pink created by Li Chih-Hsun at the Kaohsiung Museum of Art , or the meticulous red-wine paper cutouts , which were collected from families , mainly women , in s'Taiwan northern province . These were given a place of honor on the walls of the museum in Taipei , and all of them remained etched in my memory : Despite" the strong Western in ֳ uence discernible in the Orient in all areas of life , it was refreshing to discover places where the heri...
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