Mariko Mori

production , yet hires professional photographers to execute actual shooting . In her earlier works , such as Warrior , with Me , Subway , Tea Ceremony /// - all from 1994 , fabricated fictitious , futuristic scenes located in existing and mundane sites . Narrative scenes which measure of cynicism and critique on the other , open up to wide spectrum of current social contexts . One may say in these works Mori touches , inter alia , upon the question subjective emptiness versus the collective bustle of existence , upon the woman ' s place in Japanese society in particular , and in Western culture as a whole , and mainly , the boundaries of potential ( realization and absorption ) the end of the ' 90 s a significant transformation occurred Mori's work . A new interest in Shinto Buddhism and a reassociation with nature led to a shift from synthetic scenes depicting a specific , realistic , man-made society , to remote -preserved natural resorts and to detachment from contexts of a particu...  אל הספר
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