תנוחת הנדנדות

עמוד:13

town of Beirut ( where she was born in 1952 ) . Thisfact neither structures refer specifically to buildings in Hatoum ' s native accompanying text tells us that many of the architectural . Last year , at the Beirut Art Center , Hatoum showed Bourj , explains the work beyond the obvious nor validates it there , who had experienced the fighting and bombardments was a point of departure for the present installation . Viewers a variation on one of the smaller towers in "Bunker , " which in their city , may have been more impressed as they could . Another work shown in the smaller gallery is 3-D identify the specific building are of Beirut , Baghdad , and Kabul , and they are printed are mounted on light folding tables . The small-scale maps city maps showing both streets and topographical features Cities a paper sculpture made of printed maps . Three to be able to push the concentric circle zones upwards or from concentric circles , as in Chinese lantern , in order noticeable , in each map Hatoum cut out sections of arches the bank of the Euphrates or Beirut ' s promenade . Barely beauty of the maps tempt one to trace , with one's fingers , on sheets approximately 1 x 1 meters each . The colors and city under the impact of war . The press release issued by the topography" of the bomb craters and the piles of debris in a that swept through these cities . Hatoum created a " symbolic between these two topographies evokes the tragedy of war topography that contradicts the map's contours . The tension or crater-like downward projections , to create a new urban acquired delicate outward projections reminiscent of hills , downwards from the map ' s plane . As a result , the map the forces of destruction and reconstruction are manifest . " I imply both the positive and negative impacts of war , where gallery notes that : "Hatoum's beautifully crafted incisions In the modern capital city Hatoum sees the political and wonder about this interpretation . capital cities become the playground of various opponents , military conflict ground between nations and sects . Today ' s . One leaves the exhibition with a strong awareness of the hence they are rendered centers of destruction become of these quite restful swings or beautiful maps of civilians or fire were shown . It makes you wonder what will destruction in the world , although no photos of wounded Tripoli , Damascus , or Jerusalem ... ? graduating in 1981 . She has remained in the West since , 1979 began studying at the Slade School of Fine Art , prevented her return . She settled in the city and in short visit , but the civil war that broke out in Lebanon a Palestinian family . She came to England in 1975 for a Mona Hatoum was bom in Beirut , Lebanon in 1952 to Museum of Contemporary Art , New York ( 1998 ) . shows at Centre Pompidou , Paris ( 1994 ) , and The New her numerous solo exhibitions , it is worth mentioning the and 2005 ) , and the Documenta in Kassel ( 2002 ) . Among them The Turner Prize , ( 1995 ) , the Venice Biennale ( 1995 has participated in numerous group exhibitions , among and now lives and works in London and Berlin . Hatoum כוונה חאסום נולדה בבירות בשנת 1952 למשפחה פלסטינית . בשנת 1975 הגיעה לביקור בלונדון , המשיכה ללימודים בבית הספר לאמנות סל"ד , ( Slade ) ולמעשה מאז נותרה במערב . בימים אלה היא חיה ועובדת בלונדון ובברלין . חא 0 ום היא אמנית ידועה ומוכרת . היא השתתפה בתערוכות קבוצתיות חשובות רבות , ביניהן תערוכת המועמדים הסופיים לפרס סרנר בטייט בריסניה , לונדון , ( 1995 ) הביאנלה של ונציה ( 2005 , 1995 ) והרוקומנסה בקאסל . ( 2002 ) בין תערוכות היחיד החשובות שלה ניתן למנות את התערוכות במרכז פומפידו שבפריז ( 1994 ) ובמוזיאון החדש לאמנות עכשווית בניו יורק . ( 1998 ) Courtesy White Cube Photo : Ben Westoby © The artist 22 mild steel tubing structures Mona Hatoum , Bunker , 2011 , Courtesy White Cube Photo : Ben Westoby © The artist laminated MDF and steel Mona Hatoum , Suspended , 201 1 ,

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